Walking with Dinosaurs
Chloe Morgan readily admits science, let alone Palaeontology, hadn't held too much appeal for her, at least not until she was fifteen. Even then, it happened more by accident than design. ‘My younger brother was going through the dinosaur phase that's so common among children, and which I hadn't experienced. In fact, I tended to dismiss it. I reluctantly lent him a hand with a science project, and when I came across an article about some of the recent discoveries in the field, it just blew my mind. I knew immediately that this was something I wanted to commit myself to.’
I am curious to know what encouragement she got because Palaeontology was by no means a common career choice for young people at that time. ‘I remember meeting my first professional palaeontologist,’ she laughs. ‘This guy, Matt Cornelius, was famous already, despite being quite young. At first I was a nervous wreck, even though he had a reputation for being approachable and easy- going. I was still worried he'd think I was just an annoying kid pestering him with my questions. But I felt more at ease when he showed so much patience and willingness to listen.’
I cannot resist bringing up the question of the portrayal of palaeontologists in movies and TV shows. Chloe frowns for a moment. ‘I have to admit that films such as Jurassic Park featuring dinosaurs created by special effects technology have led to a huge surge in public interest in these creatures, though not necessarily in Palaeontology more generally. (line 37) However much I welcome this, I think the relatively few examples of palaeontologists depicted in the cinema are misleading. What irritates me is that we're either stereotyped as eccentric geniuses or rather geeky losers, figures of fun who don't know how to relate to people. And films fail to represent accurately the everyday reality of our working lives.’ I ask her to explain.
‘My job is remarkably varied. I spend lots of time digging up dinosaur bones, but I also have to put in long hours in laboratories, analysing fossils, and writing for scientific publications.’
While it's not necessarily something Chloe is required to do on a daily basis, there's also the question of communicating scientific findings to the public, if time allows. The role of explaining and clarifying is one she takes seriously. ‘There are a lot of misunderstandings and misconceptions about science, and though I know colleagues who are reluctant to take on such a challenge and don't want to be distracted from doing research, I see dealing with these issues as something I ought to do. I like to reach out to young people in particular, because it's important to let them know about all aspects of science.(line 66) Talking about dinosaurs is one way to get children fired up about the natural world, and widen their horizons. They can start to appreciate other branches of science and to grasp more complex scientific ideas.’
The recent TV documentary Walking with Dinosaurs was a great opportunity for Chloe to influence the way dinosaurs are portrayed on screen, as she was invited to offer her advice. ‘I had a fairly easy time of it because there was very little that I needed to comment on; it was mostly checking that the dinosaurs shown did exist together in the same time period. We succeeded in attracting audiences of all ages because we've learnt such a tremendous amount about dinosaurs recently.’ This means that the dinosaurs in the documentary are easily the most life-like that have ever been portrayed.
Why does Chloe feel dinosaurs continue to fascinate us and remain the focus of ongoing research? ‘I suspect that they speak to the innate explorer in all of us. Our imaginations are drawn to the unfamiliar and the prospect of discovery. And at a time when our world seems to be shrinking, prehistoric creatures remind us that there is still more out there to be discovered. And Palaeontology is a great form of time travel.’